“Sweet Love, Sour Taxes”: Anita Baker, Walter Bridgeforth, and an IRS Encore

<span id="hs_cos_wrapper_name" class="hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_text" style="" data-hs-cos-general-type="meta_field" data-hs-cos-type="text" >“Sweet Love, Sour Taxes”: Anita Baker, Walter Bridgeforth, and an IRS Encore</span>

Grammy-winning R&B legend Anita Baker has given the world timeless hits, unforgettable vocals, and decades of musical excellence. Unfortunately, when it comes to taxes, her story has proven far less harmonious.

Baker has faced financial and legal troubles more than once. She previously made headlines for a contentious divorce and post-divorce disputes involving her former husband and business partner, Walter Bridgeforth Jr., and later for various civil disputes. But the most serious issue followed a familiar refrain: the IRS.

When the Music Was Playing—but the Taxes Were Not

Anita Baker has sold millions of albums, won eight Grammy Awards, and earned massive success with classics like “Sweet Love,” “Caught Up in the Rapture,” “Same Ole Love,” and “Giving You the Best That I Got.” With reported earnings in the tens of millions, Baker’s success was never in question.

What was questioned—by the IRS—was compliance.

Public records and lien filings show that Baker became liable for more than $2 million in federal tax debt, stemming from years when taxes were allegedly unpaid. While the precise mechanics of the debt are not fully public, the IRS doesn’t file liens casually. A lien typically signals that returns have been filed, taxes have been assessed, and repeated collection efforts have been ignored.

The Bridgeforth Connection

Much of Baker’s financial turmoil traces back to her former husband and business manager, Walter Bridgeforth, who handled many of her financial affairs during the height of her career. Bridgeforth was later convicted on federal tax charges and sentenced to prison, a fact that casts a long shadow over Baker’s own tax troubles.

While Baker herself was not criminally convicted, the IRS made it clear that reliance on a spouse or manager does not absolve a taxpayer of responsibility. In the IRS’s eyes, the artist whose name is on the income is ultimately responsible for the tax.

Same Ole Love, Same Ole IRS Problem

For high-income entertainers, this pattern is all too familiar:

  • Money flows in fast during peak years

  • Financial oversight is delegated

  • Taxes fall behind

  • Penalties and interest quietly snowball

  • The IRS eventually steps in with liens

It’s not uncommon for artists to be “Caught Up in the Rapture” of success, only to realize years later that the IRS has been keeping perfect rhythm in the background.